My work exists at the intersection of faith, history, and identity. Each painting is created as a visual testimony — meant not simply to be seen, but to be encountered.

"The routes were drawn on maps, but the prophecy was written long before the first ship set sail."
A prophetic world-map tracing the brutal routes of global slave trades.

“Revelation does not explain pain. It reframes it.”
A stark meditation on suffering and divine encounter, Job Alone with YAH captures the moment where human endurance meets the overwhelming presence of God.

"Revelation is less about timelines and beasts, and more about who you become when you meet His eyes."
A charged encounter between humanity and the risen Messiah.

"Erase him from the story, and the Church’s own reflection goes missing from the mirror."
A reclamation of Black presence at the foundation of the early Church.

“Becoming is an act of courage.”
A layered visual memoir marking age forty-seven, 47 – Now I See, Still We March On blends faith, history, and self-reflection into a declaration of vision gained and forward movement sustained.

“Prophecy and history collide, and the scars of a people become evidence that they were always seen.”
Prophetic scripture layered with imagery of oppression, exile, and enduring heritage.
Original paintings by Odalo M. Wasikhongo are held in private collections and institutions.
The works featured in Revelations In Color explore scripture, ancestry, history, and identity through expressive narrative form. Each painting is one-of-one and accompanied by written context and documentation.
Pricing reflects the scale, subject matter, and significance of each work within the collection.
For inquiries regarding availability or acquisition of listed or unlisted original works, please contact directly.
Serious inquiries only.